•  Exhibition : Yorgos Lanthimos: From Cinema to Photography
•  Book : Luis Alberto Rodriguez, Of Body and Flesh
•  Book : Living the Myth
•  Exhibition : Ruben Tomas Explores Human-Nature Connection
•  Book : Burnt Negatives
•  Archives : Man Ray’s Mother-of-Pearl Faces

Yorgos Lanthimos: From Cinema to Photography

The Greek filmmaker of Poor Creatures and Kinds of Kindness presents his first-ever photography exhibition at the Webber Gallery in Los Angeles, which offers a new perspective on his visual and artistic work.

By Nathalie Dassa

Luis Alberto Rodriguez, Of Body and Flesh

In his book, soberly titled O., Luis Alberto Rodriguez continues his quest for the sacred through the flesh. The Dominican-American artist, a former dancer trained at the Juilliard School in New York, sculpts naked bodies like visual prayers, in a choreography of abandonment, suspended between tension and release, between grace and gravity, they embody wandering, letting go, resilience.

By Norah Auger

Living the Myth

The first monograph by photographer Jim Krantz, Frontier explores the enduring myth of the American West through the figure of the cowboy—an icon deeply rooted in the national imagination. In this world, as the author describes it, “survival becomes art and freedom is a way of life.”

By Gaia Squarci

Ruben Tomas Explores Human-Nature Connection

A new photography exhibition titled “Symbiosis” by Ruben Tomas opened at Picto New York, in Brooklyn. The exhibition, which runs through August 22, 2025, showcases a collection of photographic works that explore the interconnection between humans, animals, and their natural environments.

By Ben Small

Burnt Negatives

Mohamed Hassan’s book Our Hidden Room, winner of the Star Photobook Dummy Award 2024, is the story of a father consumed by mental illness and his passion for photography, and of a son who chooses to pursue the same passion.

By Gaia Squarci

Lennart Nilsson’s Eulogy

The Swedish photojournalist Lennart Nilsson carried out the delicate and unsettling project of photographing human embryos and fetuses from pregnancies terminated for various medical reasons. These funerary portraits examine our relationship to life.

By Jean-Baptiste Gauvin