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The World Is No Longer Right
For its 37th edition, the festival Visa pour l’Image, in France, continues to show us, head-on, through images and their captions, the state of the world as it is, and the crises it is going through.
Tuesday September 9, 2025
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• Festival : The World Is No Longer Right
• Festival : Stephen Shames: A Lifetime in Photography
• Festival : Jean-Pierre Laffont: “My Life Has Been a True Epic”
• Exhibition : In Belgium, 100 Photographers Sell Their Works for Gaza
• Book : How a Collective of Artists Fought the Silence Around AIDS
• Exhibition : Flight Into Exile
• Book : The Drive-In Era
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For its 37th edition, the festival Visa pour l’Image, in France, continues to show us, head-on, through images and their captions, the state of the world as it is, and the crises it is going through.
By Michaël Naulin
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With a career spanning more than 50 years, photographer Stephen Shames has documented the world, and uncovered the raw emotions and deeper truths behind both global and political issues as well as personal ones. A book and an exhibition at “Visa pour l’image,” in France, present a comprehensive collection of his work.
By Robert E. Gerhardt
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At 90, Jean-Pierre Laffont looks back on more than half a century of photojournalism. At the Visa pour l’Image festival, an exhibition titled “Photographing in Total Freedom” brings together his most striking images, reflections of a life defined by independence and testimony.
By Jonas Cuénin
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A charity exhibition and sale at Les Chiroux, in Liège calls for action to address the suffering of Palestinian civilians. The funds are being donated to five humanitarian and cultural organizations.
By Ben Small
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“Art Is Not Enough” but it is a start. Artist activist collective Gran Fury revisits their groundbreaking AIDS work with an illustrated book.
By Miss rosen
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At the International Center of Photography in New York, Sheida Soleimani’s exhibition «Panjereh» transforms wounded birds, archival photographs and handwritten letters into a meditation on her parents’ journey as political refugees after the Iranian Revolution of 1979.
By Gaia Squarci
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Steve Fitch’s Screen Towers captures the nostalgic world of mid-century American drive-in theaters, where massive outdoor screens and hundreds of parked cars transformed the movie experience into a powerful social and visual spectacle.
By Gaia Squarci
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