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The 1990’s, Bad Genre
London-born, Los Angeles-based photographer Henry Carroll signs a manifesto-album in which the aesthetics of the raw and those of the marketplace end up indistinguishable.
Friday April 17, 2026
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• Book: The 1990’s, Bad Genre
• Book: Newsha Tavakolian, the Rose and the Fist
• Exhibition: Claude Ventura: “If My Buddies Could See Me Now”
• Exhibition: Nhu Xuan Hua Walks on Fire, with Her Ghosts
• Archives: Historic Pittsburgh: A Grimy Wonderland
• Archives: From Cuba to Chile, a Migrant’s Search for Freedom in Latin America
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London-born, Los Angeles-based photographer Henry Carroll signs a manifesto-album in which the aesthetics of the raw and those of the marketplace end up indistinguishable.
By Guénola Pellen
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The Iranian photographer, a member of Magnum Photos since 2015, exhumes twenty-five years of archives, blurry shots and conceptual portraits to compose And They Laughed at Me, the intimate diary of a generation that refuses to look away.
By Guénola Pellen
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Thirty-five thousand negatives lay dormant in his black binders. Filmmaker Claude Ventura now wakes them up in Carnets photographiques (Photographic Notebooks), the diary of a life spent, as he puts it, just off to the side of History.
By Guénola Pellen
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At a time when diaspora has become the great narrative of our world, this French-Vietnamese photographer steps forward, arms laden with family archives faded by time, to reconstruct, fragment by fragment, what memory dilutes without ever dissolving.
By Guénola Pellen
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In the 1970s, David Aschkenas photographed Pittsburgh, in classic images that revive the city’s glorious past.
By Abby Mendelson
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The story of one man’s 4,000-mile journey with a single objective: to earn enough money to purchase a camera.
By Miss Rosen
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Blind supports the production of visual stories and invites all photographers to submit their portfolios.
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