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Richard Avedon: The Living Forces of the American West
For the first time in Europe, the Cartier-Bresson Foundation is exhibiting the entire series In the American West, which beats its rhythm on the walls of the Parisian institution as it does through the pages of this cult work.
Thursday May 15, 2025
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• Exhibition : Richard Avedon: The Living Forces of the American West
• Interview : Laurent Ballesta: “Underwater Photography Has Become an Obsessive Passion”
• Book : Carla Williams: Seeing Myself
• Exhibition : Robert Doisneau: Chronicler of the Ordinary Invisible
• Book : Sarah Mei Herman: Parallel Universe
• Archives : Lost Photos from the 1971 Glastonbury Festival
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For the first time in Europe, the Cartier-Bresson Foundation is exhibiting the entire series In the American West, which beats its rhythm on the walls of the Parisian institution as it does through the pages of this cult work.
By Nathalie Dassa
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Today, as part of the competition to win his Nikon D5, Laurent Ballesta tells Blind about his beginnings in underwater photography and gives advice on this exciting, sometimes technical, but accessible practice for all lovers of the sea.
By Jonas Cuénin
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The first monograph by Carla Williams now at its second edition, “Tender” is a visual memoir created in private between 1984 and 1999 that explores self-representation, and desire through the eyes of a young, queer, Black woman.
By Gaia Squarci
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Through 400 photographs rigorously selected from the 450,000 that comprise his body of work, the exhibition “Instants donnés” (Given Moments) at the Musée Maillol in Paris is not a simple retrospective.
By Norah Auger
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Photographer Sarah Mei Herman’s book “Julian & Jonathan” gathers over two decades of intimate portraits of her half-brother and their father, tracing a delicate relationship that drifts between closeness and distance.
By Gaia Squar
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Lost Photos from the 1971 Glastonbury Festival
Photographer Paul Misso revisits the fabled fair that became the blueprint for the world’s greatest music festival.
By Miss Rosen
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Throughout its history, photography has been diversifying modes of production and distribution. Among them, the photobook is certainly one of the best known and the most consistent, making the Eighth Art indissociable from paper. To create book-objects, many publishers engage in a creative competition. Many do it out of love, and know how to take risks that encourage emerging talents. Before we enter this world apart, let’s take a look at what happens on the other side of the page.
By Julien Hory
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Blind financially supports the production of visual stories and invites all photographers to submit their portfolios.
Please send us your work at: [email protected]
