•  Exhibition: Raymond Depardon: “Color is the Candy of My Childhood”
•  Exhibition: Black America as Told by Those Who Lived It
•  Exhibition: Mark Cohen at Ground Level
•  Exhibition: Josh Aronson: Adolescence as a Shared Territory
•  Exhibition: At Le BAL, Marie Quéau Gives Free Rein to Her “Fury”
•  Exhibition: Lily Gavin, Silver Illusionist
•  Book: Silence in the Attic
•  Archives: The Forgotten People of Appalachia
•  Archives: The 50 Most Influential Photobooks of All Time

Raymond Depardon: “Color is the Candy of My Childhood”

In Montpellier (South of France), the Pavillon Populaire reopens after months of renovation and reveals a luminous exhibition by Raymond Depardon. More than 150 color photographs, many of them never shown before, trace sixty years of journeys, assignments, and wanderings. A crossing of the world and of life, guided by the photographer’s eye.

By Jonas Cuénin

Black America as Told by Those Who Lived It

The exhibition “Black Photojournalism” on view at the Carnegie Museum of Art in Pittsburgh, presents work by nearly 60 photographers chronicling historic events and daily life in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984.

By Robert E. Gerhardt

Mark Cohen at Ground Level

In “Low Ideas,” the American photographer abandons silhouettes to capture the remnants of the world—tickets, crumbs, traces—and reveals a poetry of almost nothing.

By Jonas Cuénin

Josh Aronson: Adolescence as a Shared Territory

he American photographer reshapes a landscape long defined by toughness and rivalry. Between intimacy, play, and staging, his images propose another kind of adolescence: slow, tactile, and porous.

By Jonas Cuénin

At Le BAL, Marie Quéau Gives Free Rein to Her “Fury”

Until February 8, 2026, the Parisian art center presents the unsettling work of Marie Quéau. On the walls, bodies confronted with extreme situations, frozen in a kind of tension: the expectation of a collision. A project with a striking name: “Fury”.

By Lou Tsatsas

The 50 Most Influential Photobooks of All Time

Photobooks have been for more than a century a powerful medium for visual storytelling, offering an intimate, tactile experience that goes beyond individual photographs. They serve as both artistic expressions and cultural artifacts, encapsulating the zeitgeist of their era while pushing the boundaries of photography as an art form. From poignant social commentaries to abstract explorations of light and form, these books have shaped the trajectory of photographic history.

By Blind Magazine