•  Exhibition: Images Reimagined: AI Meets Photography at the Moody Center
•  Exhibition: Chinese Photography: Projection of a Silent Revolution
•  Book: Nathalie Rubens: First Period, Last Period
•  Book: France’s Last Truck-Stop Diners, Resistants of the Roadside
•  Archives: Apollo Remastered: Fly Me to the Moon
•  Archives: I Use The Street To Make A Story

Images Reimagined: AI Meets Photography at the Moody Center

At Rice University in Houston, the Moody Center for the Arts hosts an exhibition featuring seven contemporary artists who respond to the ever-changing influence of artificial intelligence (AI) through photography. Prompting viewers with an important question, “What is authentic, what is possible, and what are the issues at stake?”

By Itzel Robles Sandoval

Chinese Photography: Projection of a Silent Revolution

At the Frac Grand Large in northern France, the Institut pour la Photographie paid tribute to contemporary Chinese creation through an unusual tool: the slide. A historical and thematic journey into the heart of an inspired avant-garde.

By Lou Tsatsas

Nathalie Rubens: First Period, Last Period

With Seasons of Time, New York–based photographer Nathalie Rubens delivers a debut photobook in chiaroscuro, where her daughter Ruby’s adolescence converses with her own passage into post-menopausal life.

By Guénola Pellen

France’s Last Truck-Stop Diners, Resistants of the Roadside

For his book Restos Routiers (Truck-Stop Diners), Guillaume Blot spent six years documenting the roadside diners of provincial France — places where long-haul drivers and devoted owners cross paths over a full meal and a hot shower. A photographic tribute to disappearing spaces, published by Hoëbeke.

By Jonas Cuénin

I Use The Street To Make A Story

Dutch photographer Sarah van Rij’s streets become a film set.

By Sarah van Rij