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Martin Parr: Since Everything Must Go

With ‘Global Warning’, the Jeu de Paume revisits the work of the great British photographer through the lens of ecological disorder, presenting 180 prints.

January 31, 2026

Saturday January 31, 2026

Summary

With “Global Warning”, the Jeu de Paume revisits the work of the great British photographer through the lens of ecological disorder, presenting 180 prints.

By Guénola Pellen

The scars of apartheid surface in the photographs of South African artist Jo Ractliffe, whose first retrospective in France is on view at the Jeu de Paume.

By Guénola Pellen

Before dating apps reduced cruising to geolocated data, attitude and dress code spoke volumes. Seminal Works (Aperture) revives this visual grammar and the gay San Francisco of the 1970s.

By Guénola Pellen

For forty years, Ragnar Axelsson has been composing a visual elegy for the dying Arctic. Where the World is Melting, published by Kehrer Verlag, bears majestic witness to this silent collapse.

By Guénola Pellen

The Iranian photographer and printer, a loyal friend to Josef Koudelka, recounts for Blind his journey in the company of some of photography’s greats and his forced departure from his native land.

By Thom Pham Van Suu

The Russian photographer Evgenia Arbugaeva reconnects with her childhood spent in the Siberian tundra. In just a dozen images, she transports us to the hyperborean regions, from Kanin Nos to Enurmino.

By Brigitte Ollier

Blind supports the production of visual stories and invites all photographers to submit their portfolios.

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