•  Exhibition: Martha Cooper’s Images Turn the Bronx Documentary Center Into a Living Street Archive
•  Book: Last Days to Go Back Up the River
•  Exhibition: Pride and Grace
•  Exhibition: Samuel Laurence Cunnane, Follow the Blue Road
•  Exhibition: Morvarid K: Standing Still, Standing Together
•  Archives: Lucien Clergue: The Arlesian
•  Archives: Cowboys Were Born in Mexico

Martha Cooper’s Images Turn the Bronx Documentary Center Into a Living Street Archive

Earlier this month, the streets right outside the Bronx Documentary Center were flooded with people from all around the city, waiting for the doors to open for Martha Cooper’s “Streetwise” exhibition, running now until June 14th.

By Itzel Robles Sandoval

Last Days to Go Back Up the River

This is ten years of images in an attempt to grasp what binds us and what slips away. With Going Back Up the River, Sébastien Erôme delivers a debut book haunted by childhood, memory, and loss — to be discovered as its crowdfunding campaign nears its end.

By Anaïs Viand

Pride and Grace

The exhibition “Chester Higgins: Shared Memories” at Bruce Silverstein Gallery brings together seven decades of the artist’s work, spanning his years at The New York Times and his independent practice, to explore Black identities and spiritual life across generations and continents.

By Gaia Squarci

Samuel Laurence Cunnane, Follow the Blue Road

“Blue Road” marks the photographer’s first solo exhibition in London. The fruit of ten years spent roaming the roads of Europe at the wheel of his van, shooting on film what his eye barely glimpses before returning to his native Kerry to hand-print each image in his darkroom.

By Guénola Pellen

Morvarid K: Standing Still, Standing Together

Rooted in the archives of the Rocky Mountain Research Station and in the organic matter of American forests, Morvarid K is exhibiting in La Rochelle, France a body of work that takes the plant world as a model for existence.

By Jonas Cuénin

Cowboys Were Born in Mexico

Carlos Jaramillo’s Los Angeles charrerias reveal a nostalgic Mexican connection to the home country.

By Gaia Squarci