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The Imaginary Worlds of In-Game Photography
The Imaginary Worlds of In-Game Photography
DISCOVERY
The Imaginary Worlds of In-Game Photography
For the past ten years, virtual photography has been gaining momentum in the world of video games, making its way into social networks and art galleries. A generation of enthusiasts is revealing its artistic potential through screenshots that showcase the gameplay environment: whether it’s architecture, an object, a quality of light, humanity, or a reality.
By Nathalie Dassa
EXHIBITION
Wandering the Streets of 1980s New York City
Janet Delaney captures the small-town feel of the big city in her lyrical street photographs.
By Miss Rosen
DISCOVERY
Playing in the Street with The Children of Mea Shearim
In the middle of one of the world's most technologically advanced countries lives a community that defies time and place. Inhabitants of Mea Shearim resist 21st century's human norms.
By Ofir Berman
DISCOVERY
Tom Wood: Irish Work
More than a series of landscapes, Tom Wood’s latest book,
Irish Work
, is an inner journey that delves deep into his native country.
By Brigitte OIlier
STILL AVAILABLE IN OUR LAB SECTION
MASTERCLASS
Masterclass with Joel Meyerowitz
In partnership with Masters.of.Photography, Blind offers you free photography classes with great photographers. In the following video, join the legendary artist Joel Meyerowitz in Siena, Italy for a few tips on street photography.By Masters.of.Photography
MASTERCLASS
Masterclass with Steve Mc Curry
In partnership with Masters.of.Photography, Blind offers you free photography classes with great photographers. In the following video, American photographer Steve Mc Curry teaches you about grasping spontaneous moments and opportunities to make the most of chance encounters. By Masters.of.Photography
FROM THE ARCHIVES
Robert Nickelsberg’s Unpublished Images of the Civil War in El Salvador
In a forthcoming book, photojournalist Robert Nickelsberg revisits his archive of El Salvador’s civil war to shed new light on the conflict and its consequences.
By Laurence Cornet
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