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Fred Herzog, Color as a Mother Tongue
A self-taught German who arrived in Vancouver at 22 with a Leica and rolls of Kodachrome film, Fred Herzog spent a quarter century working in a kind of chromatic underground, at a time when shooting street photography in color was considered almost a lapse in taste.
Friday May 1st, 2026
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• Book: Fred Herzog, Color as a Mother Tongue
• Book: Mark Armijo McKnight Undresses the Dead
• Exhibition: Ballenesque: A Descent into the Darkroom of the Soul
• Exhibition: From Gaza to Paris, Six Artists Against Erasure
• Archives: Spend a Day With the Freissers, a Mennonite Family Living in Bolivia
• Archives: Malick Sidibé, the Art of Joy
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A self-taught German who arrived in Vancouver at 22 with a Leica and rolls of Kodachrome film, Fred Herzog spent a quarter century working in a kind of chromatic underground, at a time when shooting street photography in color was considered almost a lapse in taste.
By Guénola Pellen
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With Posthume, American photographer Mark Armijo McKnight summons the departed into barren landscapes, their faces hidden behind skull masks, somewhere between ritual, mourning, and desire.
By Guénola Pellen
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New York-born photographer Roger Ballen, who has lived in South Africa since the mid-1970s, brings his universe, poised between surrealism, the theatre of the absurd and art brut, to Manhattan’s Throckmorton Fine Art gallery.
By Guénola Pellen
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Six Palestinian artists, most of them evacuated from Gaza since 2024, come together at the Galerie du Jour agnès b. under a title borrowed from a poem by Donia Al-Amal, The Grain of Our Hearts.
By Guénola Pellen
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In “A Day With the Freissers,” Brazilian photographer Ana Caroline de Lima traveled to Bolivia to document the lives of a Mennonite family preserving a disappearing way of life.
By Miss Rosen
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Reporters Without Borders pays tribute to the Malian legend, chronicler of the festive youth of postcolonial Bamako.
By Guénola Pellen
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