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Dana Lixenberg On the Importance to See the Other
Dana Lixenberg’s portraits, on show at the Maison Européenne de la Photographie in Paris, remind us what it means to truly see.
Friday February 13, 2026
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• Exhibition: Dana Lixenberg: “It’s Important to Really See and Connect With the Other”
• Book: Greg Girard's Shadowy Vancouver
• Book: Nicola Lo Calzo: When Images Repair
• Exhibition: Making Family
• Archives: A Poignant Portrait of a Nation Gripped by Gang Violence
• Archives: Hiroshima, Mon Amour
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Dana Lixenberg’s portraits, on show at the Maison Européenne de la Photographie in Paris, remind us what it means to truly see.
By Guénola Pellen
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Greg Girard’s photographs of Vancouver taken in the 1970s and early 1980s show us the city’s final days as a port city.
By Guénola Pellen
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With Tragédia and Brigantinas, published simultaneously by L’Artiere, photographer-researcher Nicola Lo Calzo builds a counter-archive where the descendants of São Tomé’s and Sardinia’s “subalterns” reclaim their own stories.
By Guénola Pellen
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In a historical moment marked by persistent conflict, mounting instability, and an intensifying sense of isolation, “We Are Family” offers a meditation on kinship as a relational structure in perpetual transformation.
By Guénola Pellen
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In Sin Salida, photographer Tariq Zaidi documents the gang war devastating El Salvador.
By Miss Rosen
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More than seven decades after the bombing of Hiroshima, the city’s inhabitants are still burdened with the past. In “Hiroshima Graph: Everlasting Flow”, Yoshikatsu Fujii tells the story of his grandmother, a survivor of the catastrophe.
By Iris Mandret
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