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Ahndraya Parlato’s Memento Mori

With TIME TO KILL, the American photographer composes a feminist counter-archive of aging, weaving together portraits of women, still lifes, and letters addressed to a creature with no reflection.

February 20, 2026

Friday February 20, 2026

Summary

With TIME TO KILL, the American photographer composes a feminist counter-archive of aging, weaving together portraits of women, still lifes, and letters addressed to a creature with no reflection.

By Guénola Pellen

Mimi Plumb, the Restless Eye of the American West

Since the 1970s, the Californian photographer has been documenting a Western America that is at once incandescent and fractured. “Blazing Light,” her first solo museum exhibition, brings together over a hundred prints at the High Museum of Art in Atlanta.

By Guénola Pellen

In 400 vintage prints, “Col tempo” unfolds at LE BAL 70 years of Guido Guidi’s gaze — that of a photographer who refuses any hold over the real, the better to receive what the medium, alone, knows how to see.

By Guénola Pellen

At the Getty Museum, over 150 works trace three decades in which photography became the luminous weapon of the Black Arts Movement — an instrument of dignity, a tool of defiance, and an indelible act of presence in the world.

By Guénola Pellen

The ongoing series “My Own Wings” by photographers Carla Moral and Katia Repina showcases the stories of people harmed by the narrow confines of binary gender essentialism.

By Miss Rosen

David Snider’s mother and father were born blind, but he ironically became a photographer, and documented their lives. This project is the most important one in his life, and is set to become a photobook soon.

By David Snider

Blind supports the production of visual stories and invites all photographers to submit their portfolios.

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